FadwaAttia from Egypt writes about .
..Do the arts now in all fields need identity?
Yes, it is the difficult equation from ancient times to the present time. We need identity with its features.
These features were formed by different cultures, which It started from the ancient civilizations of the ancient Egyptians,Until we reach the present time,All of this, as I said in my previous articles, made identity formed from ideas and culture, so it became a cultural reference.
The identity thesis became important in theatre, cinema, fine art, and others.
But after I presented solutions to preserve identity, which is one of the basics of heritage, cultural heritage and other things, we need a lot to know the importance of our identity that we have missed, and to continue our dialogue.
About the solutions necessary to preserve identity, after training cadres and developing systematic plans for the coming years through strategic planning by specialists and researchers in these various fields, various seminars to introduce identity,in general.
Then, there is a taste of identity from the receiving audience, whether it is trainees from the cadres who carry out strategic planning.
As well as the public that we educate,Through cultural and artistic seminars,Producing short and documentary films about identity.
As well as holding conferences from which it issues,
Books and exhibitions calling for the preservation of identity, its elements and features.
Also, the media coordinates with him through the responsible state’s channels through various programmes.
Which demands the preservation of identity, its history and culture.
Through the Internet and also through satellite channels and television programmes.
This makes the preservation of identity continuous and never-ending.
Which brings us to one truth: Identity is a homeland that we cannot do without. My identity is from within my homeland, from within the cultural and artistic heritage.From within our features, our art, and our heritage are like an inexhaustible river. We need a lot and a lot so that our identity from which our art emerges is not lost, and so that there is not a crisis in the loss of our identity. We are peoples with civilizations that have roots. We cannot dispense with our civilizations and our history. We need to support ourselves by preserving identity by all possible means.
Therefore, we continue our simple, enjoyable dialogue about identity through true, sincere art, and we have a new dialogue that we will continue in new articles later, with you with love and respect from our beloved Egypt.
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FadwaAttia from Egypt writes
I loved you day and night.(Romantic poem)
I loved you day and night
.. I loved the magic of your eyes...I loved staying up late at night I loved your days....I loved your madness I remained in love with your sanctuary... I yearn for your love I loved you day and night.... I fell in love with your words....I got lost in your worries. I forgot myself about you....I became lost in your love I loved your days..I cried for your separation Come back to me, my heart is full of your love...I have always loved you...
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FadwaAttia from Egypt writes (Iwas shocked at my love)(Romantic poem)
I was shocked at my love
My beloved who wronged me, why did you wrong me? Is it because I loved you, or what? My love for you is like the love of butterflies.
For flowers, the love of the stars, for the moon, remaining moments of memory of my love and your love, my shock at your injustice to me is great, I do not know whether we will return to where we were or whether we will separate forever, but my shock at you made me feel a deep, never-ending sadness. Goodbye, beloved of my life
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FadwaAttia from Egypt Writes(why do our moments of love end)(Romantic poem)
I loved your love and spent my days with you. Why then why do our moments of love end in separation because our love is not by our hands but from God? For how long? Then for how long?
I chose our days, we cried, our love separated, but my heart beats with your love and you still love me.
Why did you leave, my lifelong lover? We may return to each other, but will our love remain as it was? It is nothing but a little love from me to you and I leave it to God who arranges our days, my lifelong lover.
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FadwaAttia from Egypt
Why did I love you ?(Romantic poem)
Why did I love you? Why?
I loved the sky in your eyes. I loved our memories together. I loved everything that brought us together. You became my home and my family. You became everything to me. My view of the world changed. After we loved each other, I changed. You became my whole life in a long night. You became a dream for all of me. One night he comes to me in a dream
A lover I loved, and we were together through thick and thin.
Our memories are endless, our dreams are relentless. We have become lovers in the sanctuary of love, and we will remain lovers in the sanctuary of eternal love. Our love never ends no matter what happens, eternal love never dies.
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FadwaAttia from Egypt writes
My Life Long LOVER (Romantic poem)
I have waited for you so much, my beloved, and I have hope that your love will be like the sea whose waves do not calm down. Your love has become the focus of my life. Do you feel me or not? Your distance has increased a lot, and my days have become lost to me and I have become no longer the one who loved you. Come back, beloved of my life, to my warm heart with your love. Come back. You will find me waiting for you, wandering in love during your days, and getting lost with you in the moments of my life, my lifelong lover.
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FadwaAttia from Egypt
Writes( Not me)( Romantic poem)
Not me, because I am surprised by that time, time is strange, our feelings were lost, our feelings were lost, we became like a machine, everything became soulless, tasteless, colorless, every day is more difficult than the previous one, why does love not prevail in our lives, why do we not ignore goodness and love and search for the unreasonable, Why, why has it become a strange time in all its meanings? It has become a harsh time. Concepts and feelings have changed, interests have prevailed, and love has been lost. Have we become in a forest, or what? I am not me. Take me to the virtuous city of Plato, where love, imagination, and honesty are, until I return to myself. I am not me.
Fadwa Attia Mohamed Aly Salah Eldin
Interior designer, visual artist, photographer, member of the Syndicate of Applied Arts Designers, working member of the Cairo Atelier for Writers and Artists, and winner of the Creative Woman Award in 2019 from the Ministry of Culture. She also won the Jury Award at the Seventh Nile Salon. She won the second republic in theatrical decoration at the level of the General Federation of Young Workers in 2002. She participated in previous sessions of the General Exhibition, the Fifth Republic from the Ministry of Information, the People's Arts Exhibition and the Eighth Port Said Biennale. She received honors from Morocco twice, Algeria once and Tunisia once. She has 9 solo exhibitions of her own. She received a shield from the Suez Canal Authority for donating a painting to the new Suez Canal Museum. She participated in more than fifty group exhibitions inside and outside Egypt in Sweden, Finland, Mexico, Peru, Ecuador, Argentina, Italy, India, South Korea, Venezuela and Panama. She currently has critical articles in the Daily Global Nation, Bangladesh, Iraq, Egypt, Kosovo and Australia. She participated in the Salloum Ceremonies Forum In 2023 AD, she participated in a group exhibition at the Salloum Ceremonies Forum in Al-Hanager. She was honored by the Media Excellence Festival in 2018 AD for her work as a commissioner and owner of the exhibition. Pioneers of Egyptian Media. She designed many theater decorations for more than 20 plays, most notably the play “Key to This is Comfortable” and the play “The Trial of Naguib Mahfouz.” She was the assistant director to the great Samir Al-Asfouri in the Spotlight program.
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